“The Ballad of Micro Phoenix” utilizes the language of life, namely the DNA sequence, as primary materials for creating kinetic sculptures in different forms of experimental musical instruments. The initial idea of this project evolved from two questions. Firstly, is it possible that non-human beings like microbes, can observe and inscribe particular incidents within their biological systems? Secondly, how can we decipher those messages, embedded in those microorganisms who contain the memories of the places?