Collected sight dancing on the site Collected sight dancing on the site
木の骨組みと屋根だけのこの建物は、人工物でありながらも自然と同化しているように感じた。豊かな自然の中で、人の営み、かつての情景、社会状況など、様々な移りゆく光景の堆積がこの風景となった。材木問屋の乾燥小屋だった建物内に木材が並べられたことも、情景の一部だったのだ。この構造物と周辺地形が、高低様々な視点から里山の光景を捉えるためのいわば装置の一部であり、立体に映された無数の景色を浮かばせる。さらには周囲の状況が、採集された光景に変化をもたらせ、互いに影響しながら、移りゆくこの風景の一部となる。
With only a wooden frame and a roof, this building seemed to assimilate with nature, even though it was man-made. In the midst of a rich natural environment, the accumulation of various scenes of human activity, former scenes, and changing social conditions, all of which are slowly changing, have become the landscape of Satoyama. The fact that timber was laid out in a building that was once the drying shed of a timber wholesaler
was also part of the scene. The structure and the surrounding terrain become part of the device to capture the scene of Satoyama from various perspectives, high and low, and to bring to life the myriad of views reflected in the three-dimensional work. Nature, human activity, and the surrounding context transform the myriad of scenes collected. They influence each other and once again become part of an ever-changing landscape.
その他の作品Other Works

A「時間と空間に関する 2, 3 の考察」
B「古中之条湖 −記憶の糸−」
A “Couple of Comments on Time and Space”
B “Old Nakanojo Lake - Strings of Memory -”
A. 時間と空間に関する 2, 3 の考察 比較的大規模な時間と空間の概念を A: Couple of Comments on Time and Space It is subtle to have the sense of a relatively l
菅原 久誠 Hisanari Sugawara Hisanari Sugawara
作品番号 041 Opus number 041