The daily life of a young child is shaped by the dialectic between Hido and Deido. Deido signifies life itself—ceaselessly circulating, inherently relational, and attuned to the child’s being. Hido, by contrast, resists this vital rhythm; yet it forms the very “ground” of the contemporary world, embodying the normative structures that define modern society. Though the vitality of Deido and the normative force of Hido appear to coexist in equilibrium, this apparent harmony is but a veneer. It is through the child’s instinctively transgressive gestures that the latent space between life and norm is revealed. This dynamic manifests as a fleeting statue—an ephemeral formation glimpsed through the stereoscopic vision of vitality and constraint.