The former site of the Koike pharmacy, once a place where the people of Nakanojo conversed and sought respite from their ailments, is reimagined under the light of the soleá, one of the oldest palos of flamenco’s cante jondo. More than a direct tracing of the soleá’s musical form, the work attempts to use its compás (main rhythmic structure) to conjure scattered components that are reminiscent of the genre’s forlorn poetics: loneliness, contemplation, and tragedy. A host of percussion devices and musical automata discreetly inhabit the loneliness of the site, and invite the viewer to play and listen in an environment that will also include occasional performances by Aquiles Hadjis and his collaborators.