Drifting Threads and Topographies transforms an abandoned classroom in Nakanojo into a site of quiet attunement. Ten embroidered piña-silk panels sway gently with air currents, evoking the drift of underwater life and the hush of submerged spaces. Their deep teal hue recalls both chalkboard surfaces and ocean depths. Bridging Nakanojo’s legacy of sericulture with Philippine piña weaving, the work draws from elemental resonances across the Indo-Pacific corridor. Sea-dwelling figures surface as silent witnesses to the marine ecological and geopolitical tensions that shape these oceanic territories, where textile, water, and motion converge in fleeting, sensorial encounters.