ARTIST

シャオジィエ・リン

Shao-Jie Lin
出身地:Taiwan
活動地:UK

London-based Taiwanese artist Shao-Jie Lin’s practices consistently navigate his distinct poetic and imaginative sensibility toward anthropological and geopolitical concerns. His works applied digital media, installation, video and sculpture, focusing on the issue around border, mobility, equality and justice which Lin describes as a sort of ‘Utopian speculation’.

CV

*Education*
2020 – * * * *  PhD Fine Art, Slade School of Fine Art, University College London
2015 – 2017  MFA Fine Art, Goldsmiths, University of London
2010 – 2011  Visiting Study, BA Fine Art, Goldsmiths, University of London
2008 – 2012  BFA Fine Art, National Taiwan Normal University

*Residency*
2017  Joya Arte + Ecología, Andalusia, Spain
2017  Merz Barn, Lake District, UK

*Exhibition*
2018  Bloomberg New Contemporaries @ South London Gallery, London, UK
2018  Bloomberg New Contemporaries @ Liverpool Biennial, Liverpool, UK
2018  Sisyphus Version 20.18, Curated by Francis Almendárez, Yi-Chun Lin and Hsuan Wang, National Taiwan Museum of Fine Arts, Taichung, Taiwan
2018  Language Strategies, Curated by Alice Woodhouse, Austrian Cultural Forum London, London, UK
2017  No Turning Back, Curated by Aditi Anand & Sue McAlpine, Migration Museum Project, London, UK
2017  Glaze, Curated by Isobel Atacus, The Icing Room, London, UK
2017  Deptford X Fringe, Dual Exhibition with Laura Fox, Mughead Coffee Gallery, London, UK
2017  Beyond the Borders, The Crypt Gallery, London, UK
2017  Flock 2017, Invited by Carmen Cortés Martin, GX Gallery, London, UK
2017  Goldsmiths MFA Degree Show, Goldsmiths College, London, UK
2017  Up in the Air, Open Call by Goldsmiths MFA Curating, Goldsmiths College, London, UK
2017  The Xenophobia of Time?, Curated by Ying-Hsuan Tai, Clerkenwell Gallery, London, UK
2017  Fair Booth Trial, Curated by Marcel Darienzo, Carousel Art, London, UK
2017  Transit Border – A Way to Utopia?, Curated By Jayi Fu, Enclave Project Lab, London, UK
2017  Start-Up: Slow Accident, Curated by Eline Kersten & Paul Devens, Nieuw Dakota Gallery, Amsterdam, Nederland
2016  Goldsmiths MFA Interim Show, Goldsmiths College, London, UK
2016  Redirection, Harts Lane Gallery, London, UK
2015  The Fifth Dimension, Curated by Chih-Yung Chiu, NTUA Gallery, New Taipei, Taiwan
2014  Disturbance, Curated by Yung-Hsien Chen, Teh-Chun Gallery, Taipei, Taiwan
2013  Post-Community, Curated by Pey-Chwen Lin, 435 Art Zone, New Taipei, Taiwan
2011  Someday Project, Canada Water Studio, London, UK
2011  Jarred on My Nerves, The Old Police Station, London, UK
2010  New Generation, A-Zhi-Bao Art Space, Hualien, Taiwan

*Honour*
2018  Finalist, Bloomberg New Contemporaries, New Contemporaries Organisation, UK
2017  Shortlist, Red Mansion Art Prize, Red Mansion Foundation, UK
2012  Qualifier, Government Fellowship for Studying Abroad, Ministry of Education, Taiwan
2011  Excellent Prize, Painting, Degree Show, National Taiwan Normal University
2010  Qualifier, Sponsor Project of Visiting Study, Ministry of Education, Taiwan

*Press*
2018 Bloomberg New Contemporaries review: Bright young things tackle uncertainty at South London Gallery, Vol. 4th Dec 2018, Reviewed by Matthew Collings, London Evening Standard
2018 Biennale d’art Contemporain de Liverpool “Création Émergente”, Vol. 4 Juillet 2018, Reviewed by Ronan Grossiat, Artaïs Art Contemporain Magazine
2018  Multiple Voices in a Chaotic World – Liverpool Biennial 2018 “Beautiful World, Where Are You?”, pp 216-223, Vol. 520, Reviewed by Ying-Hsuan Tai, Artist Magazine
2018  Artists Announced for 2018 Bloomberg New Contemporaries, pp 97, Vol. 517, Reviewed by Ying-Hsuan Tai, Artist Magazine
2017  No Turning Back, Reviewed by Katie Da Cunha Lewin, London Calling Arts Online Press
2017  Tracking Stories of Migration in Britain, Reviewed by Andy Barter, The Platform Online Press
2017  Migration Moments to Remember, Daniel Nelson, One World NPO
2014  Breaking Frame – New Media Art, Reviewed by Siou-Jhen Lin, Graduate Institute of Art, NTNU
2014  pp 66-68, Vol. 342, Global Views Magazine
2014  pp 122-123, Vol. 257, Artco Magazine
2010  pp 37-39, Vol. 10, ARTITUDE Magazine
2010  Ultra IX – New Perspective, Reviewed by Chia-Hsuan Wu, Essay Database, IT Park Gallery & Photo Studio

THANKS TO

ARTWORKS

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