Beneath the ginkgo tree stands a solitary organ.

Upon its stand lies a score—not written in notes, but in words.

Reed organs spread across Japanese schools in the late Meiji period, around the time Gotanda School was built—most have since quietly faded from view.

In this work, the organ moves beyond its conventional role as an instrument, becoming a medium for attuning to nature.

In the stillness of open air, let each sound emerge, one by one,
aligned with your breath and the quiet pulse of the organ.

In sound—where memory and imagination converge—

the boundary between self and nature gently dissolves.