2027 OPEN CALL

© Nakanojo Biennale

Application details

Artist Open Call

2027 Theme

ECHOING GREEN 響きわたる草原

The festival's reverberations have dissolved into Nakanojo's mountain valleys, transforming into the pulse of a new season. We close the great circle of the 10th edition. Taking its accumulated energy as sustenance, we step forward into unknown territory extending toward the next decade and beyond. From this soil that twenty years have cultivated, fresh shoots of expression are emerging once again.

As we embark on this new chapter, the guidepost we raise for our journey ahead is William Blake's poem "The Echoing Green," which the 18th-century poet and painter included in his collection "Songs of Innocence." When we reflect upon it, our path has always been a quest for utopia. For the 9th edition, our theme was Sebastian Münster's "Cosmographia." We overlaid the act of following unseen paths with the creative activities of artists. At the end of those footsteps toward unmapped places, we arrived at the paradise of the 10th edition: "Mountain of Light." There, beyond the glow of former industries like sericulture and iron ore mining, artists rendered a vivid landscape of a "new world" that spread before us.

In 2027, "The Echoing Green" deepens our previous explorations and attempts to manifest in Nakanojo the world of innocence that Blake imagined. In Blake's green, the sun rises, festive bells bless the spring, and children's innocent cries of joy race across the green field. Beside them, under the aged oak tree, the elderly gently smile as they see their former selves reflected in the children.

The moment is vividly portrayed: the past embodied in the elderly and the future embodied in the children intersect on the same green. Fading memories and hopes yet to be born join hands in miraculous resonance, sharing the same present time and the same earthen space. The souls of those who once loved this land, cultivated it, and eventually returned to the soil. The children who begin their new games upon that soil. This "cycle of life," repeated by Nakanojo's land for thousands of years, is what we have chosen as this year's theme: "Echoing Green."

In this theme, the green we employ symbolically is the vast land of Nakanojo itself and the fertile soil of the community living there. We have imbued the color green with the prayer for regeneration that sprouts after harsh winters, the ceaselessly repeating cycle of rebirth, and the meaning of life's activities passing down through generations. The great circle of the 10th edition closes, and now a new life, the 11th edition, is beginning to bud forth. Death is not an ending but a silence that nurtures the next life. This green of community, nourished by memories of the past, holds deeper and more vivid greenness as it awaits the future.

The works that artists release are the echo that makes this vast green tremble and visualizes the chain of life. Art is never an isolated point but an urgent call sent forth toward the green of community. Artists listen intently to the voice of the land and gather up an echo. This is the work itself that they create, filling the space as a lingering reverberation.

The 11th Nakanojo Biennale is a festival for connecting the baton handed down from the past to the next generation and making it resound into the future. The sun rises, the green shines, and eventually shadows lengthen and night arrives. Yet even in that darkness, the echo continues faintly without pause, quietly awaiting the next generation's dawn. Endings always carry beginnings within them, and the resonance left by a single creator will surely become the force that makes something new sprout.

Just as we see the world in a grain of sand and heaven in a wildflower, we seek to perceive from this single green of Nakanojo the great cycle of life and the innocent utopia that Blake dreamed of. In this place where past and future, the elderly and children, life and death intersect upon a single green, please join us as one precious echo. When our voices overlap and resonate together, Nakanojo's green will surely be dyed in multilayered, eternal greenness unlike any before.

In this place where the succession of new life begins, we look forward with all our hearts to exchanging the resonance of creation with you once again.

Director’s Message

We are pleased to announce Nakanojo Biennale 2027, the first step toward our next stage. Twenty years have passed since the project began in 2007. Having crossed the major milestone of the 10th edition, we extend our heartfelt gratitude to the townspeople, artists, and all supporters who have enabled us to continue creating in this place.

In 2027, we welcome the 11th edition. This is not merely a waypoint. We want to transform the years we have spent into fertile soil and stand once again on fresh ground. While cherishing our past experiences, we release our previous framework and step forward with fresh sensibility. This is a rebirth, a new first edition.

Nakanojo holds the unchanging richness of its traditional countryside and the lives and culture of the people living there. The wind and light flowing through this town now carry a quiet yet certain warmth, like life awaiting spring, preparing for the next season. Artists listen deeply to the land's breathing. The expressions that rise from there spread far across the mountains and into people's hearts. This fresh cycle is beginning again.

As more artists relocate here and daily life fills with creative vitality, we want to witness expressions that can only happen in this place and stir the soul.

Toward the 11th edition, our new first edition, we welcome artists of all genres to join us in treading this town's earth, sowing seeds of expression, and painting new colors. Let us create together a new landscape that sprouts from this place, one no one yet knows.

Tetsuo Yamashige
General Director

Tetsuo Yamashige

Open Call Overview

The Nakanojo Biennale is an international contemporary art festival held every two years in Nakanojo Town, Gunma Prefecture. Surrounded by magnificent mountain scenery, Ramsar wetlands, hot spring villages with deep histories, sericulture, festivals, and traditional folk events, Nakanojo Town offers visitors the unique opportunity to experience beautiful satoyama culture that cannot be found anywhere else. Artists stay and work in this unique mountain village community and present their creations during the Nakanojo Biennale. For the 11th Nakanojo Biennale 2027, we are calling for a wide range of artists from Japan and abroad with innovative ideas and projects from various fields.

Application Period:
Wednesday, May 2 - Monday, July 12, 2026
Online Application: 23:59 (UTC+9)
Mail Application: Postmarked on the envelope
Open Days of the Art Festival:
Saturday, September 18 - Sunday, October 24, 2027
*Open every day for 37 days
Locations:
Five areas of Nakanojo Town: Nakanojo Town Center, Isama, Shima-Onsen, Sawatari Kuresaka, and Kuni. Venues include shopping streets, onsen towns, wooden school buildings, and old Japanese-style houses.
Previous Locations: Former Hirozakari Brewery, Isama Studio, Shima-Onsen, Akaiwa Important Preservation District for Groups of Traditional Buildings, and more.
Previous Data:
Exhibition Period: 31 days
Participating Artists: There were a total of 147 artists and groups: 98 from the open call (77 Japanese and 21 foreign nationals) and 49 from other sources.
The total number of applicants was 382, comprising 284 Japanese and 98 foreign nationals.
Locations: 50 venues
Number of Visitors: 500,000 people (accumulating totals)

Image of Nakanojo Biennale area map

  • Nakanojo Town Center Area

    The urban area, the center of town, is the most populated area in Nakanojo. Nearby public facilities include restaurants, bars, a supermarket, and convenient stores. The Museum of Folk and History, Musee, has a great collection of artifacts from the district. The area hosts traditional festivals, such as Gion-Matsuri in summer and Torioi-Matsuri in winter.

  • Isama Area

    Isama is in the mountains, and houses are dotted throughout the area. The mountain, Reizan Takeyama, and the beautiful Chikato Shrine are symbols of Isama. Reizan Takeyama is believed to be sacred by locals and has excellent day hikes. Isama was declared as one of “the most beautiful villages in Japan.” The Biennale headquarters and one of the main artist residence buildings are in the area. Isama is a 15-minute drive from the town center.

  • Shima-Onsen Area

    Shima has an 800-year-old history and is the most touristic area in Nakanojo because of the onsen (hot springs). Surrounded by nature, a beautiful river and streams cross the town. Historic onsen streets are full of tourists, but once you leave the main road, it’s quiet and relaxing. The famous color of water, “Shima Blue,” can be seen at Shima lake. Shima is a 30-minute drive from the town center.

  • Sawatari Kuresaka Area

    Sawatari is a quiet onsen town located between Nakanojo town center and Shima. It's small and less touristy than Shima and has many hills, slopes, and alleys. There is a small public bathhouse that locals use every day.

    Kuresaka is situated approximately a 20-minute drive from Sawatari, in a sparsely populated area surrounded by mountains. One of the main venues is the garden facility "Karaku no Sato," where you can observe various mountain wildflowers throughout the seasons. Additionally, along the route to Hanaraku no Sato, there stands a monument dedicated to the renowned writer, poet, and haiku master, Bokusui Wakayama, at Kurasaka Pass.

  • Kuni Area

    Kuni is the most isolated area in Nakanojo with no shops but a lot of nature. Akaiwa is a district within Kuni that has sericulture farmhouses and a historic street filled with traditional Japanese residences. Akaiwa was the first site in the Gunma prefecture designated for preservation and historical importance. The Oshi train station, now a ruined structure, is a symbolic site of the area. Traditional craft works are still alive in this area such as “Menpa” (wooden lunch box), “Konkon Zori” (Japanese sandals) which are made by a technique of “Nedofumi” (soak the edge in onsen water and make it softer by stepping on it). Kuni is about a 50-minute drive from the Nakanojo town center.

Application Guidelines

  • We are open to all genres, including sculpture, painting, photography, video art, installation, and performance. New applicants are welcome.
  • We accept both individuals and artist groups. As a group, the application process is the same as with individual artists, but we will only contact the group's representative. Changing the number of members won't be allowed after you apply, so please ensure you include all the members in your application.
  • Artists can contact the Nakanojo Biennale office via email.
  • The artwork must be installed and removed by each artist according to the dates on the schedule.
    *If the artist lives overseas and can't remove the artwork themselves, please arrange with DHL to collect the artwork.
  • The artwork must be installed by the deadline.
    *Depending on the location, there will be different deadlines for installing artwork.
  • The artwork must not infringe on any copyright or intellectual property rights.
  • We will prioritize candidates who can stay in Nakanojo and dedicate themselves fully to production and research.
  • There is no exhibition fee or residency fee. Artists will receive a production grant.
  • First-time participants are required to attend the online orientation and on-site inspection for at least one day.
    *Regarding the on-site inspection, artists who live in Japan are required, but not others.
    About the online orientation
    About the on-site inspection
  • Individuals with ties to organized crime or antisocial groups are ineligible to participate.

Other Notes

  • Work cannot be exhibited at venues other than those specified by the office.
  • You are responsible for your expenses, including food, transportation, and the making, installing, and removal of the artwork.
  • Since there is no staff at each venue at all times, artists are advised to take proactive measures to manage their artwork to prevent theft.
  • Loud noises, fire hazards, odors, or unsafe materials may not be used. If the management determines the work is dangerous, participation will not be permitted.
  • We reserve the right to cancel your participation if your activities interfere with the operation of the event.
  • No compensation will be given if the artwork is damaged by natural disasters or acts of god. If artists want to protect their work, they are responsible for purchasing their own insurance. (Insurance subsidies are available.)
  • Most venues are not accessible by public transportation. Rental cars are available but limited.
  • Starting around April 2027, residency accommodation will gradually become available in certain areas, so please begin production on a schedule that allows plenty of time.
  • We aim to bring artists and local people together at the Nakanojo Biennale. Please have a spirit of respect for each other.

  • Application Process

Application

Please submit your application via web form or mail by Sunday, July 12, 2026.

Online Application: 23:59 (UTC+9)
Mail Application: Postmarked on the envelope
For more details on how to apply

The application review and results notice

Results will be sent in the middle of August by post to local applicants and by email to overseas applicants.

Online orientation for successful candidates

Orientation dates: Saturday September 5, 2026

The orientation will be held online through Zoom. We will provide an overview of the event, so please be sure to attend in person. A proxy representative will be allowed to participate only in unavoidable circumstances.

Venue viewing schedule

Viewing schedule: Sunday, September 6 - Monday, October 5, 2026

Artists are allowed access to preview the venues during this time. Please let us know your schedule and preferred venues to visit. We will organize a bus tour to visit the venues. The tour dates will be posted along with the selection results.

* Required for first-time participants who live in Japan, optional for experienced participants or participants who do not live in Japan.

* If you wish to visit the venues after the inspection period, please contact the office.

Submission of your location request and work plan

Submission Deadline: Thursday, October 8, 2026

Please submit your preferred venue and exhibition proposal by the deadline. We try to place artists based on their request and plan. However, please understand your request may not be accepted because of the location's popularity or difficult logistics.

*Nakanojo covers a large area and having your own transportation would be ideal for your activities here. It may require you to have a valid driver's license depending on locations because of no public transportation.

The artist location request and plan will be coordinated by late December 2026, and then we will inform the artists.

The selection of participants

Once your venue is confirmed, you become an official participant artist of the Nakanojo Biennale. If you do not accept an alternative venue we offer, we may decline your participation. Once you have decided to participate, you can conduct on-site research under the guidance of the Biennale staff. Please note that residence use in Nakanojo will be available starting from April 2027.

How to Apply

We will keep your personal data private, and it won't be used for other purposes.

Online

Please prepare the following and submit your application via the web form.

Deadline:

23:59 (UTC+9) Sunday, July 12, 2026

Guidelines:
  1. Individual artists or artist groups can send either a website or a PDF portfolio to apply.
    * You may also send both.
  2. Please complete and submit the Image Sheet.
Portfolio PDF Guidelines:
  • Individual Artists: Up to 30 pages
  • Artist Groups: Up to 40 pages
  • *The Image Sheet is not included in the portfolio page count.

Image Sheet Guidelines (Required):
  • In the Image Sheet, describe your proposed artwork concept using text (200-250 words) and sketches or photos. Multiple proposals are acceptable.
  • After selection, you will submit an exhibition plan following a site visit, so a preliminary concept is sufficient at this stage. A template is provided, but you are not required to use it.
  • *Recommended software for digital completion: Adobe Acrobat

    Image Sheet Download

Apply Through the Web Application Form

By Mail

Deadline:

Postmarked by Sunday, July 12, 2026

Guidelines:

Please mail your Portfolio and Image Sheet to the office according to the following requirements.

Portfolio Requirements:
  • Individual Artists: Up to 30 pages
  • Artist Groups: Up to 40 pages
  • Please download and print the application form. Fill out the information and attach it to the first page of your portfolio.
    *If you are in a group, please submit your name, address, phone number, and email address of every member.
  • Please send a photocopied portfolio because the original will not be returned.
Image Sheet Guidelines (Required):
  • In the Image Sheet, describe your proposed artwork concept using text (less than 250 words) and sketches or photos. Multiple proposals are acceptable.
  • After selection, you will submit an exhibition plan following a site visit, so a preliminary concept is sufficient at this stage. A template is provided, but you are not required to use it.
Download Documents:

*Adobe Acrobat is recommended for filling out the form on a computer.
*The application form and Image Sheet are not included in the portfolio page count.

Application PDF Download

Image Sheet Download

Address:

The Office of Nakanojo Biennale
〒377-0494 (Postal Code)
Gunma-ken, Agatsuma-gun, Nakanojo-machi, Nakanojo-machi 1091 Japan
TEL: +81-279-26-7727 (Japanese only)

Schedule

2026: The application and decision schedule
1. Application period:
Saturday, May 8 - Sunday, July 12, 2026
Online Application: 23:59 (UTC+9)
Mail Application: Postmarked on the envelope

How to Apply

2. Results notice:
Results will be sent by mail or email in the middle of August 2026.
3. Online orientation dates:
Saturday, September 5, 2026
* We will provide an overview of the event, so please be sure to attend in person. A proxy representative will be allowed to participate only in unavoidable circumstances.
4. Venue viewing schedule:
Sunday, September 6 - Monday, October 5, 2026
* Required for first-time participants who live in Japan, optional for experienced participants or participants who do not live in Japan.
5. Submission of your location request and work plan:
The deadline is October 8, 2026.
* The artist location request and plan will be coordinated by late December, 2026, and then we will inform the artists.
6. The selection of participants:
After accepting the offered venue from the Nakanojo Biennale office, the artist becomes an official participant.
2027: Tentative schedule for the year of the event
Term 1: Nakanojo Town Center Area and Isama Area
Production Period:
Thursday, April 15 - Turesday, June 15, 2027
Preview and Reception:
Friday, June 18 2027
Term 2: Shima-Onsen, Sawatari Kuresaka, and Kuni Area
Production Period:
Wednesday, June 16 - Monday, August 16, 2027
Long-Term: All Areas
Production Period:
Thursday, April 15 - Monday, August 16, 2027
*Long-term residency requires meeting certain conditions, including the ability to travel independently within the town.
* Regarding the Term (Production Period) System
At the Nakanojo Biennale, we adopt a "Term System," setting specific "Production Periods and Artwork Installation Deadlines" for each area. To ensure proper support from the staff for each artist, we kindly request that production and installation be carried out within the selected term.
Final Installation Deadline for Artwork
Monday, August 16, 2027
Nakanojo Biennale 2027 Schedule
Saturday, September 18 - Sunday, October 24, 2027 (37 days)
Artwork Uninstallation Period
Monday, October 25 - Monday, November 15, 2027
* Uninstallation period may vary depending on the venue

Access

Access to Nakanojo Station from Tokyo Station

  • Car: About 2.5 hours by highway
  • Train: About 3 hours by local train
  • Train: About 2 hours from *Ueno Station by express train
  • Bus: About 3 hours from Tokyo Station or **Shinjuku Bus Terminal (BASTA)

*Ueno Station is one stop from Tokyo Station
**Shinjuku Bus Terminal is 15 minutes by train from Tokyo Station

Access to Tokyo Station from the Airport

  • Haneda airport to Tokyo Station - 30 minutes by train
  • Narita airport to Tokyo Station - 1.5 hours by bus or train

Special Website

View the artwork video on the Special Website

Nakanojo Biennale 2027
Artist Open Call

Nakanojo Biennale 2027 Overview
  • Locations: At Nakanojo Town, Gunma Prefecture, Japan
  • Open Days of the Art Festival: Saturday, September 18 - Sunday, October 24, 2027
    *Open every day for 37 days
  • What's on: Nakanojo Biennale started in 2007 and this art festival marks it’s 11th year. Everywhere in town, including nearby onsen towns and abandoned wooden school buildings, will host exhibitions of drawings, sculptures, photographs and installations from more than 100 artists. There will be opening and closing events, music and performances as well as workshops and a market.
  • Organiser: Nakanojo Town / Nakanojo Biennale Executive Committee / Nakanojo Biennale Steering Committee